Caravaggio
Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
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Caravaggio St. Francis in Ecstasy oil painting


St. Francis in Ecstasy
c. 1595 Oil on canvas, 92,5 x 128,4 cm
Painting ID::  43844 		Caravaggio
St. Francis in Ecstasy
c. 1595 Oil on canvas, 92,5 x 128,4 cm
   
   
     
Caravaggio Judith Beheading Holofernes oil painting


Judith Beheading Holofernes
c. 1598 Oil on canvas, 145 x 195 cm
Painting ID::  43845 		Caravaggio
Judith Beheading Holofernes
c. 1598 Oil on canvas, 145 x 195 cm
   
   
     
Caravaggio St. John the Baptist oil painting


St. John the Baptist
1600 Oil on canvas, 230 x 175 cm
Painting ID::  43846 		Caravaggio
St. John the Baptist
1600 Oil on canvas, 230 x 175 cm
   
   
     
Caravaggio The Incredulity of Saint Thomas oil painting


The Incredulity of Saint Thomas
1601-02 Oil on canvas, 107 x 146 cm
Painting ID::  43848 		Caravaggio
The Incredulity of Saint Thomas
1601-02 Oil on canvas, 107 x 146 cm
   
   
     
Caravaggio The Crowning with Thorns oil painting


The Crowning with Thorns
Oil on canvas, 178 x 125 cm
Painting ID::  43849 		Caravaggio
The Crowning with Thorns
Oil on canvas, 178 x 125 cm
   
   
     
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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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